Invictus

Out of the night that covers me,
Black as the pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.

In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.

Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds and shall find me unafraid.

It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate,
I am the captain of my soul.

– William Ernest Henley

Postscript:
A gorgeous war-cry for spitting in the face of Fate (the capitalization somehow fitting in with the tone of the poem). Even though it seems a bit overwrought, there’s something very compelling about the poem.
The last two lines, of course, are the best-known and most quoted.
You can see a video of it being read out aloud here and here.

A Woman Alone

When she cannot be sure
which of two lovers it was with whom she felt
this or that moment of pleasure, of something fiery
streaking from head to heels, the way the white
flame of a cascade streaks a mountainside
seen from a car across a valley, the car
changing gear, skirting a precipice,
climbing . . .
When she can sit or walk for hours after a movie
talking earnestly and with bursts of laughter
with friends, without worrying
that it’s late, dinner at midnight, her time
spent without counting the change . . .
When half her bed is covered with books
and no one is kept awake by the reading light
and she disconnects the phone, to sleep till noon . . .
Then
self-pity dries up, a joy
untainted by guilt lifts her.
She has fears, but not about loneliness;
fears about how to deal with the aging
of her body—how to deal
with photographs and the mirror. She feels
so much younger and more beautiful
than the looks. At her happiest
—or even in the midst of
some less than joyful hour, sweating
patiently through a heatwave in the city
or hearing the sparrows at daybreak, dully gray,
toneless, the sound of fatigue—
a kind of sober euphoria makes her believe
in her future as an old woman, a wanderer
seamed and brown,
little luxuries of the middle of life all gone,
watching cities and rivers, people and mountains,
without being watched; not grim nor sad,
an old winedrinking woman, who knows
the old roads, grass-grown, and laughs to herself . . .
She knows it can’t be:
that’s Mrs. Doasyouwouldbedoneby from The Water Babies,
no one can walk the world any more,
a world of fumes and decibels.
But she thinks maybe
she could get to be tough and wise, some way,
anyway. Now at least
she is past the time of mourning,
now she can say without shame or deceit,
O blessed Solitude.

– Denise Levertov

Postscript:

An account of a woman rediscovering the joys of solitude while getting over the end of a relationship.
Some of the phrases are evocative – “her time spent without counting the change”, “no one is kept awake by the reading light”, talk about the adjustments and chafing that come of being with someone, the things we don’t notice until we have our solitude back.
The poem also talks about aging, self-image, and wisdom. It holds out the hope that eventually, after all the turmoil, there will be acceptance, there will be peace.
You can read other poems by Levertov that we’ve run on this site here and here. Those poems also have links to biographical information about here.

Some Advice From a Mother to Her Married Son

The answer to do you love me isn’t, I married you, didn’t I?
Or, Can’t we discuss this after the ballgame is through?
It isn’t, Well that all depends on what you mean by ‘love’.
Or even, Come to bed and I’ll prove that I do.
The answer isn’t, How can I talk about love when
the bacon is burned and the house is an absolute mess and
the children are screaming their heads off and
I’m going to miss my bus?
The answer is yes.
The answer is yes.
The answer is yes.

– Judith Viorst

Postscript:

Such a lovely poem, because of the conversational tone and the all-too-real scenes that we’ve all been through.
We’ve run another poem by Viorst here.
You can read more about Judith Viorst, here.